PDF La Romance de Ténébreuse tome 1 (French Edition)

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La Romance de Ténébreuse tome 5 (French Edition)

About Marion Zimmer Bradley. Marion Zimmer Bradley.

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Marion Eleanor Zimmer Bradley was an American author of fantasy novels such as The Mists of Avalon and the Darkover series, often with a feminist outlook. Bradley's first published novel-length work was Falcons of Narabedla , first published in the May issue of Other Worlds. When she was a child, Bradley stated that she enjoyed reading adventure fantasy authors such as Henry Kuttner, Edmond Marion Eleanor Zimmer Bradley was an American author of fantasy novels such as The Mists of Avalon and the Darkover series, often with a feminist outlook.

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When she was a child, Bradley stated that she enjoyed reading adventure fantasy authors such as Henry Kuttner, Edmond Hamilton, and Leigh Brackett, especially when they wrote about "the glint of strange suns on worlds that never were and never would be. Early in her career, writing as Morgan Ives, Miriam Gardner, John Dexter, and Lee Chapman, Marion Zimmer Bradley produced several works outside the speculative fiction genre, including some gay and lesbian pulp fiction novels.

For example, I Am a Lesbian was published in Though relatively tame by today's standards, they were considered pornographic when published, and for a long time she refused to disclose the titles she wrote under these pseudonyms. Her story The Planet Savers introduced the planet of Darkover, which became the setting of a popular series by Bradley and other authors. The Darkover milieu may be considered as either fantasy with science fiction overtones or as science fiction with fantasy overtones, as Darkover is a lost earth colony where psi powers developed to an unusual degree.

Bradley wrote many Darkover novels by herself, but in her later years collaborated with other authors for publication; her literary collaborators have continued the series since her death. Bradley took an active role in science-fiction and fantasy fandom, promoting interaction with professional authors and publishers and making several important contributions to the subculture.

For many years, Bradley actively encouraged Darkover fan fiction and reprinted some of it in commercial Darkover anthologies, continuing to encourage submissions from unpublished authors, but this ended after a dispute with a fan over an unpublished Darkover novel of Bradley's that had similarities to some of the fan's stories. As a result, the novel remained unpublished, and Bradley demanded the cessation of all Darkover fan fiction. Bradley was also the editor of the long-running Sword and Sorceress anthology series, which encouraged submissions of fantasy stories featuring original and non-traditional heroines from young and upcoming authors.

Although she particularly encouraged young female authors, she was not averse to including male authors in her anthologies. Mercedes Lackey was just one of many authors who first appeared in the anthologies.

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She also maintained a large family of writers at her home in Berkeley. Like voices echoing in his senses from beyond Life's watery source, and which into one voice unite, Vast as the turning planet clothed in darkness and light, So do all sounds and hues and fragrances correspond. Perfumes there are as sweet as the music of pipes and strings, As pure as the naked flesh of children, as full of peace As wide green prairies — and there are others, having the whole.

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Corrupt proud all-pervasiveness of infinite things, Like frankincense, and musk, and myrrh, and ambergris, That cry of the ecstasy of the body and of the soul. In Nature's temple, living pillars rise, Speaking sometimes in words of abstruse sense; Man walks through woods of symbols, dark and dense, Which gaze at him with fond familiar eyes.

Like distant echoes blent in the beyond In unity, in a deep darksome way, Vast as black night and vast as splendent day, Perfumes and sounds and colors correspond. Some scents are cool as children's flesh is cool, Sweet as are oboes, green as meadowlands, And others rich, corrupt, triumphant, full, Expanding as infinity expands: Benzoin or musk or amber that incenses, Hymning the ecstasy of soul and senses.

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In Nature's temple, living columns rise, Which oftentimes give tongue to words subdued, And Man traverses this symbolic wood, Which looks at him with half familiar eyes,. Like lingering echoes, which afar confound Themselves in deep and sombre unity, As vast as Night, and like transplendency, The scents and colours to each other respond.

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And scents there are, like infant's flesh as chaste, As sweet as oboes, and as meadows fair, And others, proud, corrupted, rich and vast,. Which have the expansion of infinity, Like amber, musk and frankincense and myrrh, That sing the soul's and senses' ecstasy. Nature's a fane where down each corridor of living pillars, darkling whispers roll, — a symbol-forest every pilgrim soul must pierce, 'neath gazing eyes it knew before. Nature is a temple where living pillars Let sometimes emerge confused words; Man crosses it through forests of symbols Which watch him with intimate eyes.

Like those deep echoes that meet from afar In a dark and profound harmony, As vast as night and clarity, So perfumes, colors, tones answer each other. There are perfumes fresh as children's flesh, Soft as oboes, green as meadows, And others, corrupted, rich, triumphant,. Possessing the diffusion of infinite things, Like amber, musk, incense and aromatic resin, Chanting the ecstasies of spirit and senses. Suggestions Search.